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Marc Maron (7 pm and 9:30 pm shows)

Marc Maron

Play: ‘The Well of Horniness’ By Holly Hughes & Directed by RJ Hodde

Summer is over but that doesn’t mean you can’t camp! Surge out of pandemic isolation and into the Sapphic soap opera the patriarchy doesn’t want you to see…

Equal parts film noir, postmodern romp, and low-brow glee, The Well of Horniness is a camp-fueled cliff-hanger featuring libidinous lesbians, licentious ladies, and mysterious men (the mystery? they’re actually women!) in a who-done-it case you won’t even WANT to solve! Written by performance artist Holly Hughes for her fellow conspirators at the WOW Café, this raucous and raunchy radio-play-wannabe is your entrée into avant-garde circles—if you don’t mind walking in circles. Set your inhibitions aside and strap on your seatbelt for all the plot twists, sound effects, and shag-carpet jokes you can take! Come join us for this Freudian slip into The Well of Horniness.

This play contains gunshots, implied violence, intimacy, coarse language, and sexual dialogue. 

An Evening With Chris Thile

MacArthur Fellow and Grammy Award-winning mandolinist, singer and songwriter Chris Thile, who the Guardian calls “that rare being: an all-round musician who can settle into any style, from bluegrass to classical,” and NPR calls a “genre-defying musical genius,” is a founding member of the critically acclaimed bands Punch Brothers and Nickel Creek. For four years, Thile hosted public radio favorite Live from Here with Chris Thile (formerly known as A Prairie Home Companion). With his broad outlook, Thile creates a distinctly American canon and a new musical aesthetic for performers and audiences alike, giving the listener “one joyous arc, with the linear melody and vertical harmony blurring into a single web of gossamer beauty” (New York Times). Most recently, Thile recorded Laysongs, out June 4, 2021 on Nonesuch. The album is his first truly solo album: just Thile, his voice, and his mandolin, on new recordings of six original songs and three covers, all of which contextualize and banter with his ideas about spirituality. Recorded in a converted upstate New York church during the pandemic, Laysongs’ centerpiece is the three-part “Salt (in the Wounds) of the Earth,” which was inspired by C.S. Lewis’s The Screwtape Letters. The album also features a song Thile wrote about Dionysus; a performance of the fourth movement of Béla Bartók’s Sonata for Solo Violin; “God Is Alive, Magic Is Afoot” based on Buffy Sainte-Marie’s adaptation of a Leonard Cohen poem; a cover of bluegrass legend Hazel Dickens’ “Won’t You Come and Sing for Me,” and “Ecclesiastes 2:24,” original instrumental loosely modeled after the Prelude from J.S. Bach’s Partita for Solo Violin in E Major.

Drekka // Onewayness

Doors at 7 pm, show at 8 pm

An evening of ritual, ambient, deep listening, experimental, musique concrete, sonic trances provided by DREKKA and ONEWAYNESS
PROOF OF VACCINATION REQUIRED