Proof of vaccination required

Proof of Vaccination Required

Pandemic Protocols: Filmgoers must be vaccinated and must show proof of vaccination.
Filmgoers must wear masks in the theater. Seating will be capped at 35% of capacity.

In a small village in Kosovo, years after her husband went missing during wartime, Fahrije awaits evidence of his death. Without it, not only is she unable to mourn, but the hovering patriarchy deems it disrespectful, morally loose even, to move forward: to get a job, a driver’s license — to provide for her family. Stoically determined, with inspiring pluck and humor, Fahrije openly drives around town and begins a business selling ajvar (roasted red pepper paste). If that weren’t enough, she pulls together other widows to help. The men in the village condemn Fahrije’s efforts to empower herself threaten her newfound sovereignty. Based on one woman’s true story, Hive is a universal tale of quiet, potent resistance.

Pandemic Protocols: Filmgoers must be vaccinated and must show proof of vaccination.
Filmgoers must wear masks in the theater. Seating will be capped at 35% of capacity.

A film about language, sexuality, trust, and infidelity adapted by auteur Ryûsuke Hamaguchi from a short story by Haruki Murakami. DRIVE MY CAR is a head-on collision between an emerging filmmaker fascinated by the interior lives of women, and a famous author who…is not. Hamaguchi specializes in revelations of the heart, and Drive My Car—a beautiful melding of two distinct authorial sensibilities—consistently steers clear of the familiar in its characters’ journeys towards self-understanding. But these two wildly disparate storytellers aren’t the only people vying for control of the wheel in this beguiling gem, as a third major player is introduced — legendary playwright Anton Chekhov.

Masks are required for all attendees and Cinema staff at indoor events.

Banned upon its original release in 1981, Andrzej Żuławski’s stunningly choreographed nightmare of a marriage unraveling is an experience unlike any other. Professional spy Mark (Sam Neill) returns to his West Berlin home to find his wife Anna (Isabelle Adjani, in a role that earned her Best Actress at Cannes) insistent on a divorce. As Anna’s frenzied behavior becomes ever more alarming, Mark discovers a truth far more sinister than his wildest suspicions. With its pulsating score, visceral imagery, and some of the most haunting performances ever captured on screen, Possession is cinematic delirium at its most intoxicating. Contains depictions of self-harm and suicide.