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Tag Archives: Hollywood

Interchange – The Anti-Hollywood Ethos of Charles Burnett

In this repeat from March 13, 2018, we’re joined by noted film scholar, Jim Naremore, author of Charles Burnett: A Cinema of Symbolic Knowledge; Michael Martin, editor-in-chief of Black Camera: an International Film Journal, and professor in the Media School at Indiana University, who values Burnett as an artist who shows the banality of oppression; Jacqueline Stewart, author of Migrating …

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