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Interchange

In-depth interviews and conversations
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Interchange – Moderation In Dark Times: Aurelian Craiutu

We’ll open with “Tensions” by Charles Mingus, recorded in 1959 and released in 1960 on the album Blues & Roots. About the album Mingus wrote that it’s “unusual” presenting only one aspect of his musical world, the blues. “Some people, particularly critics, were saying I didn’t swing enough. [The record’s producer] wanted to give them a barrage of soul music: …

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Interchange – Dissecting Male Supremacy: Kate Millett’s Sexual Politics

We open the show with Bobbi Martin’s “For the Love of Him.” All the music played is from the 1970 Billboard Top 100, extending the discussion from last week’s show on the political power of music. Kate Millett’s 1970 book, Sexual Politics, is a classic text of Second Wave Feminism, finding sexism and subjection inherent in the institutions of marriage …

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Interchange – The Political Power of Music: A conversation with Dave Randall

We’re joined by guitarist, producer, composer and author Dave Randall. His book, Sound System, newly out from Pluto Press, is an insider’s view of the music industry, shedding light on the secrets of celebrity, commodification, and culture, and the system of music serving them. And yet music can be a force for social change, sounds made by us, for us. …

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Interchange – Becoming African in America: The Radical Politics of Fela Kuti

This is a special 90-minute show, live from The Atlas Bar, featuring the music and protest politics of Fela Kuti, the Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre, and human rights activist. Fela Kuti died of complications from AIDS in 1997 at the age of 58 but his music has seen a resurgence even inspiring the perhaps …

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Coming Up On Interchange – Fela Kuti: Becoming African in America

Next time on Interchange: Becoming African in America We’ll be live from The Atlas Bar for a 90-minute special featuring the music and protest politics of Fela Kuti, the Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre, and human rights activist. Fela Kuti died 1997 at the age of 58 but his music has seen a resurgence even …

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Interchange – It Has Happened Here: The Handmaid’s Tale

We open with “Little Girl Blue,” written by Rodgers and Hart in 1935, and here performed by Nina Simone. The song counsels the “little girl” to simply surrender because All you can count on is the raindrops That fall on little girl blue. That Little Girl Blue comes tonight in the form Offred, the protagonist of Margaret Atwood’s 1985 novel …

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Interchange – Pred Ed: For-Profit Colleges and Universities

Today’s show is about for-profit colleges and universities–or the Predatory Education Business. If you’re surprised to hear predatory and for-profit used interchangeably to describe this industry, you won’t be at the end of the show. Two things must spring to mind when one says “for profit” education: University of Phoenix and Trump University. The first graduates only 5% of their …

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Interchange – The Stones of Reason: Athol Fugard’s My Children! My Africa!

Direct action and reform politics meet in Apartheid South Africa in playwright Athol Fugard’s 1989 play My Children! My Africa! Within the ruling class, apartheid violence of white South Africa sits a play with a seeming taste for moderation and order in debate, and the recognition of the political uses of speech. But the debate is not just between the …

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Coming Up On Interchange – The Stones of Reason: Athol Fugard’s My Children! My Africa!

Next time on Interchange: “The Stones of Reason” Direct action and reform politics meet in Apartheid South Africa in playwright Athol Fugard’s 1989 My Children! My Africa! Within the ruling class apartheid violence of white South Africa sits a play with a taste for moderation and order in debate, and the recognition of the political uses of speech. But the …

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Interchange – Demythologizing Marches and the Promise of Direct Action

We open with “What’s Going On” by Marvin Gaye because it is the title track from his 1971 album–one that for me expresses both the popular awareness of the catastrophic actions of Western Militarism and Capitalism–but as well seems a kind of funeral dirge on the capability of protest movements to make real difference as opposed to a cosmetic one. …

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